Books
Co-edited with Christina Gerhardt. 1968 and Global Cinema. Wayne State University Press, 2018.

Journal Articles
“A New Form for a New People: Forough Farrokhzad’s The House is Black.” Camera Obscura: Feminism, Culture, and Media Studies, vol. 32, no. 1, 2017, pp. 1-31.

“A Cinema of Refusal: The Sealed Soil and The Political Aesthetics of the Iranian New Wave.” Feminist Media Histories, vol. 3, no. 1, 2017, pp. 81-102.

“Seeing, Iranian Style: Women and Collective Vision in Abbas Kiarostami’s Shirin.” Iranian Studies, vol. 45, no. 4, 2012, pp. 519-535.

“The Long and Invisible Road: Route 181: Fragments of a Journey in Palestine-Israel.” Jadaliyya, 15 May 2011.

Book Chapters
“Crow, Child, Stranger: On Maternal Becoming in Bashu.” Mothers of Invention: Parenting &/as Filmmaking Practice, edited by Corinn Columpar and Sophie Mayer.

“Political Cinema, Revolution, and Failure: The Iranian New Wave, 1962-1979.” 1968 and Global Cinema, Wayne State University Press, 2018, pp. 385-404.

Co-authored with Christina Gerhardt. “Introduction: Looking Back: Global Cinema and the Legacy of New Waves around 1968.” 1968 and Global Cinema, Wayne State University Press, 2018, pp. 1-22.

“The Neighbor by Naghmeh Shirkhan.” Directory of World Cinema: Iran, vol. 2., edited by Parviz Jahed, 2017.

“Film, Experimental.” Blackwell Encyclopedia of Postcolonial Studies, edited by Sangeeta Ray and Henry Schwarz, 2016.

“Pontecorvo, Gillo.” Blackwell Encyclopedia of Postcolonial Studies, edited by Sangeeta Ray and Henry Schwarz, 2016.

“Cinema: Iranian Women’s Contributions.” The Oxford Encyclopedia of Islam and Women, edited by Natana DeLong-Bas, 2013.

Non-Refereed Publications

Articles
“Future Collectivities.” White Wall Review, 2019, pp. 51-52.
“Ten Theses on Iranian Cinema.” Iran Namag, vol. 3, no. 3, 2018, pp. 1-16.
“Third Cinema Now.” Film Criticism, vol. 40, no. 1, 2016.
“Jafar Panahi’s The Mirror: On Political Film in Post-Revolutionary Iranian Cinema.” Film International, vol. 12, no. 3, 2014.
Co-authored with Negar Mottahedeh. “Rethinking Gender in Contemporary Iranian Art and Cinema.” Iranian Studies, vol. 45, no. 4, 2012, pp. 499-502.
“Some Objects of the Affluent Society.” Inter/tidal: An Interdisciplinary Journal, 2012, pp. 103-114.

Book Reviews
“Review.” Review of Reform Cinema: Film and Political Change in the Islamic Republic by Blake Atwood. Middle East Studies. Accepted.
“History’s Irruption in the Look-to-Camera.” Review of Camera Historica: A Century in Cinema by Antoine de Baecque. Trans. Ninon Vinsonneau and Jonathan Magidoff. Discourse, September 2015, pp. 165-168.
“Review.” Review of A Social History of Iranian Cinema, Volumes 1-4 by Hamid Naficy. International Journal of Middle East Studies, November 2014, pp. 824-826.
“The World at Home.” Review of Iranian Cinema and Globalization: National, Transnational and Islamic Dimensions by Shahab Esfandiary.” Film Criticism, Spring/Fall 2013, pp. 160-163.

Other Writing
“The Boundaries of Community: Sara Saljoughi on Dariush Mehrjui’s The Cow.” Walker Art Center, 17 Jul. 2017, https://walkerart.org/magazine/sara-saljoughi-dariush-mehrjui-the-cow.
“#52FilmsbyWomen.” The Review, Toronto International Film Festival, 22 Mar. 2016, https://www.tiff.net/the-review/52filmsbywomen/.
“Nostalgic Returns.” In Media Res: A Media Commons Project, University of Toronto, 25 Aug. 2015, http://mediacommons.org/imr/2015/08/16/nostalgic-returns.